The Bard's Grove

"There are times when people need stories more than they need nourishment, because the stories feed something deeper than the needs of the body."
Charles DeLint, The Onion Girl


Tuesday, September 4, 2012

Emerging Archetypal Themes: Service Without Self-Sacrifice: Virgo: Mistress of Spices




Service without Self-Sacrifice.  

That’s our emerging archetypal theme for this astrological month of Virgo.  As we leave behind the Piscean Age, which embraced self-sacrifice (a very Piscean notion) as well as service to the world (its Virgo counterpart), we have to shine a new light on the subject of service, because we are being called to service – to bring our talents, inspiration and imagination together to re-create our society, heal Nature and reject war as a means to peace.  

In these past few thousand years, service always included self-denial: sexuality and pleasure, independence and wealth were foresworn so the ego’s attention stayed focused on spirit.  So many people took oaths of ‘obedience, poverty and chastity’, seeing their service as a duty to their Deity.  Mother Theresa and St. Francis of Assisi are inspirations to us.  As they well should be.

However, when we see that sexuality, pleasure, independence and wealth are not bad ‘in and of’ themselves, allowing ourselves those experiences no longer prohibits us from being of service to our fellow sisters and brothers.  While taming the senses and appetites is a necessity for greater consciousness and free will, we have to balance them with work and service.  It is time to bring Heaven to Earth, combining Spirit and Matter; that means, let’s enjoy life while serving others. 

That’s the theme of Chitra Banerjee Divakaruni’s The Mistress of Spices.  Both the 1997 book and the 2005 movie explore this idea of service and sacrifice.  

Virgo: Healing, Service and Our Authentic Talents 
 
But first let’s look at Virgo’s lessons and initiation.  There’s alchemy involved in Virgo’s lessons, the union of opposing energies and the transformation of those energies through self-knowledge into a new sense of wholeness and Self-consciousness.   Virgo is the sign where we work to perfect ourselves, not by being perfect but by coming to understand how we see ourselves, what we value, how we process life, what our emotional body feels like and where our creative impulse lies. We weave ourselves together in Virgo, discerning what is us and what is not us

                                      Alchemical Union of Opposites


When we apply ourselves to discovering what we can do, we want to put that purpose to work.  In doing so we see how our talents can be of services to others.  A time of apprenticeship is a learning time, and that’s what Virgo wants to do.  Learn as much of her craft as she can and continue to perfect it as a master craftsperson.  When we create like this, we are always of service, even when we work for ourselves.

Virgo symbolizes the Virgin of Life, coming at the time of year when we gather in the harvest of our creations.  The Egyptian goddess Isis was associated with Virgo because the end of summer is the time of year when the Nile floods and new life returns to the land.  This aspect of Isis is not the Goddess as Lover, but as the Mother who carries her child in her lap, symbolizing the manifestation of the potentials of life.  A new creation occurs!  New insights are born and new solutions generated. 

                                                Isis & Horus


That is the magical side-effect of Virgo’s initiation into meaningful service!  Something new emerges, something deep and true.  A problem is solved, a wound is healed.  That is also the message of our movie this month – a new truth emerges when we seek to heal a wound and allow a new potential into our lives.

Virgo’s ability to discern what’s happening in the moment and then to find a solution that works is the essence of service to others. There is a joy to this work, a flexibility that is open to incorporating each experience into a new whole.  Virgo concentrates on doing her job well and is humble enough to offer her mastery to the world.  Being of service gives us the opportunity to perfect ourselves and our craft.

The Mistress of Spices
 
This sensual, colorful movie is a delight to the eyes; not only are Aishwary Rai and Dylan McDermott outstandingly good-looking, but the spices that inhabit the shop and our imaginations are exquisite beyond compare.



The Mistress of Spices is a story of two people who are chosen as children to walk the Piscean spiritual path.  The young woman follows her path into Virgoean service; the young man rebels against his mother in anger, forgets his calling and walks a Virgoean path of aloneness and disconnection.  When they meet as adults, their opposing paths collide and they find themselves attracted to each other.  On an unconscious level, their souls know they can heal each other.  But each has been wounded, and so they have to learn to trust their hearts again instead of the inner beliefs they’ve learned to live by.

The story begins with Tilo, a young Indian girl with the gift of prophecy.  While her ability to see brings her fame and fortune, it also brings tragedy.  Pirates want to profit off her talents and they come and kidnap her, killing her parents.  We know that someone with this kind of spiritual power needs to learn how to control it, and soon learns that it really can’t be used for personal power and gain.  That’s what happened with Tilo and her family.  Tilo has to learn the lesson of offering selfless service to others.

She takes this path when she leaps into the ocean, escaping the pirates.   She eventually washes ashore on a magical island, where First Mother has gathered young girls to teach them how to care for and understand Spices.  She teaches these girls so they can go out into the world and keep the magic of India alive for those Indians who have immigrated to foreign lands.  

First Mother warns the girls that serving the spices demands that they give up their lives for the spices. The path of their service demands self-sacrifice.  They are charged with three rules when they go out into the world to be of service: They must never use the spices for their own desires, they can never leave their shop and they must never be touched.   The girls must be free of personal desires; if they fail in their duty, they are told that the spices will punish them.

Here is the old belief that serving others entails self-sacrifice.  It is true with regard to the issues of power and control.  Serving others can’t be about the ego, because then you don’t listen to what others really need. If power and domination are the end-game of spiritual powers, we walk a dark path indeed.  Since these powers are very real, they need to be used responsibly and in service to the world.  
But the Piscean vision of service has been one of self-sacrifice – of the body, of the emotions, of one’s very freedom.  The First Mother’s rules are very much like a nun’s vows of poverty, chastity and obedience.  These rules bind women’s lives until all that is left for them is service.  This form of service constellates when a Virgo gets so consumed with work that there is nothing else in her life.  She must make things perfect and perfection is a hard taskmistress.
When these young ‘mistresses of spices’ must remain so virginal that they are literally ‘untouchable’, the Virgo archetype is clearly out of balance.  Virgo’s virginity has nothing to do with sexuality, but rather with having your own sense of purpose.  Virgo’s true virginity is fresh and full, bringing with it a sense of ‘belonging to oneself’ in the midst of endless possibilities.  Our old beliefs about virginity and service are being questioned here.  Do these old rules and beliefs still serve a purpose or is it really a matter of consciousness and choice?
Tilo finds her place in Oakland/San Francisco, where she runs a Spice Emporium.  People come to her with their problems and joys, and she listens to what the spices tell her is needed.  And so she counsels and cooks and helps them get through their lives.  She believes that each person has their own special spice.  Her spice is sesame, the spice of nourishment, which is what she gives to all who come into her spice shop.  And while she might not be happy, she is content.  Until the day she looks out her window and sees Doug, an American architect, working outside her shop.  

                                          Giorgio Di Iorio

Something in his spirit calls to her because the spices pick up on it.  The fiery red chilies in her shop speak to her through their fierce vibrations. This happens before Tilo even sees Doug – a sure indication that they are meant to meet and interact and hopefully figure out the reason they have been brought together.   Red, a primary color, is the color of blood, hot chili peppers and roses; these beautiful chilies symbolize the energies of attraction, passion and love, anger and energy.  All those desires are sizzling in the air around Tilo and the chilies manifest that energy not by talking with her but by dancing!
  But she’s afraid, because she’s never been in love before.  And needless to say, it’s forbidden to a Mistress of Spices!  Tilo’s test is upon her.  Her overwhelming feelings come up against the ‘rules’; rules that say that if they are broken, she will pay the supreme price – loss of her connection to the spices.  New instincts arise in her and her test is to understand them and integrate them into her life.

First she tries to ignore the attraction, but its energy begins to flow out into her interactions with the rest of her customers.  She flows with a sense of service, love of Doug transformed into love for all. This attraction is a crossroads in her life’s journey.  She must test her beliefs against her own instincts and desires. So first she pours the energy into her work, thinking it will dispel the attraction.  In truth, Tilo is caught up in the experience and the spices know it.  
Once again, the chilies sound the alarm.  Are they the cause of Doug crashing his motorcycle outside her shop? If it’s a test, she can’t help herself – she calls him into the shop so she can bandage his hand.  When she touches him, she sees him making love with another woman.  This image sparks her desire, and soon Tilo is filled with confusion; she can’t find the right spice to serve his needs because her own emotions are now involved.  She refuses to admit that the chili is his spice when she looks for his spice.  The spices speak to her but her own mis-reading of what she saw in him keeps her from listening to them.  She is the one who shuts down on the spices, refusing the truth.
Frantically searching for his spice, she finally choses Holy Basil, a spice for remembrance, hoping that he’ll remember her and come back to see her.  But he doesn’t, at least not right away.  Tilo wanders through her days, lost in desire, until desire burns away and she remembers her service.
As she worries about repressing her feelings, Tilo gets more and more confused about what her people need, until it seems that the spices no longer talk to her.  Forbidden desire clouds her judgment - she longs for love she’s been told she can’t have.  We all know how that feels, trying to deny our feelings because of the rules.  Rules that should only guide our steps not control them.  Tilo is coming to a crisis point.  Will she give into her desires or turn her back on them so she can continue to serve her people?  Or will she find the third way, a new way that contains both the opposites yet transcends them?
Determined to forget Doug, Tilo works to regain her equilibrium so she can communicate with the spices again.  And just as she once again achieves it, her tests continue.   Doug returns to her shop and tells her that the spice she gave him made him remember something important he’d forgotten.  The lesson Tilo is learning is not to have expectations about how the spices will accomplish their healing.  A good lesson for us as well!
Doug remembered the first time his mother took him to the Indian reservation to see his great-grandfather.  His beautiful mother had never revealed their Native background to him because she was fleeing from it. This grandfather was some kind of medicine man, and he wanted to give Doug the choice of learning about the ancient ways.  But his mother refused to let him learn.  He never forgave her and left home as soon as he could, never speaking to her again.  But he forgot he had a choice – he forgot his heritage until Tilo gave him the spice.


Tilo’s service to him was this remembering.  She put him in touch with a rejected, but important part of himself.  She gave him back his choices.  But in giving him those choices, she also opened herself to doubting the rules imposed by First Mother and the spices.  Did she have choices too?  I think her early prophetic experiences and their consequences made her afraid to make those choices.  This is where sacrifice comes into the picture.  She was willing to sacrifice her desires because of her guilt over her parents’ death and perhaps misuse of her power.  And now those old choices are catching up with her.  Is guilt a valid reason for self-sacrifice?
Tilo’s guilt builds when all her careful spice choices for her customers seem to go astray.  Lovers break up, families aren’t talking, a young boy gets into bad friendships and her friend gets hurt.  Tilo is sure that the spices are punishing her customers because she is falling in love with Doug.  But she can’t stop, because she cares for him and wants him to heal.  Virgo service is often very compassionate and caring.
When he finds out that his mother has died, Doug needs to see Tilo, sensing she will heal his pain.  And so she does – how can she not try to heal him when he is remembering who he is!  He tells her, “I didn’t have a clue of what I wanted ‘til I met you.  I want to start over.  I’m not rooted like you.”  Tilo responds, “When the roots are too strong they can strangle you.”   Both of them are trying to find their way to a new vision of life, one that has meaning and one that is free.  They are teaching each other what they themselves have learned.  And because of the exchange, both meaning and choice will grow and change.


Since she has never been out of the shop, Tilo finally accepts Doug’s invitation to go out with him, knowing she is stepping over a line.  She leaves her shop, telling the spices, “I’m not leaving you spices.  I’ll be back!”  And she has fun!  But before she returns, she discovers her friend Haroun has been beaten up and her shop has been vandalized.  First Mother appears to her and tells her she has broken too many rules and must return to the Island.  Is it really First Mother or her own guilt?
Tilo agrees to return, but she has also changed enough that she decides to have her one night with Doug before she goes.  She also discovers that she has made a difference in her clients’ lives, for they are all changing in ways she couldn’t foresee.  Despite her confusion, she got it right!
Tilo lets the chilies stir her desire.  She leaves behind her old self to experience her new self just this one time.  She covers her body with spices, finally liberating the beautiful woman inside the servant.  And she dresses in red, no longer afraid of the passion within her.  She has tamed her desires, so she can choose her desire.

                                                                       Kintop Films

First she goes to see Haroun, who is not only recovering but who has fallen in love.  Then she goes to Doug’s home and lives her dream.  After though, she leaves him to return to her store and to exile at the Island.  
There she builds a magical fire of chili peppers that will take her back to the Island and the Mother.  But when she tries to return, she is stopped by the spices.  They will not abandon her, even if she doesn’t follow the old rules.  They have chosen her and will allow her to choose both love and service.  
Chili peppers are a great symbol for these lovers, not only because they initiated this test of passion but because they also symbolize fidelity, breaking old negative patterns and most importantly, Love!  
          Mistress of Spices is a marvelous story about the transformation of the archetype of Service.  Do we really need to give up all the joys of life to serve our sisters and brothers?  Do we really need to be ‘untouchable’ for our service to be pure and humble?  Do we really need to give up love to serve the world?
          Being of service is part of the human experience just as love and sexuality are.  This new path of service is big enough to include our wholeness.  Our Virgo journey wants to unite body, mind and spirit.  When we do, our service will be inspired and true!

From the Bard’s Grove,
Cathy Pagano




Friday, August 10, 2012

Emerging Archetypal Themes: Leo, the New Queen & Dirty Dancing Cathy Pagano, M.A.


Emerging Archetypal Themes: Leo, the New Queen & Dirty Dancing



Hrana Janto offers beautiful photo-quality art prints of the image of Sekhmet shown here, as well as her other goddess images, at her website, http://www.hranajanto.com.


The emerging archetypal theme I’ve worked with this month is the journey of Individuation, the Leo initiation of becoming conscious of your original Self.  Due to the critical issues facing our world, individuation is the most important task any of us can undertake this lifetime.  Many spiritual people believe that we are at a moment of conscious evolution, and we are living in the moment of choice.  The only way to make a real choice is by living our essential truth, through being connected to what Carl Jung called the Self.  That’s what our movie heroine does.

The spotlight is on the new Queen for this Leo month because it is the Feminine Spirit that leads us to transformation and individuation. At the turn of the Ages, the Goddess returns to rebirth the world.  She is here, now!  And the truth is, women have led the way in the search for an authentic Self, partly because we’ve never been this free to understand ourselves before and partly because we make second-class men!  

In a world understood and shaped by male perceptions, women have had to run away from those masculine perceptions to find that Self.  But all of us have a feeling nature, a feminine side that wants to leave the old rules behind and find our own standpoint.  Our emotions as well as our beliefs shape our choices.  If they are left unconscious, we are easily led; when understood and acted upon, we are free.  
  
Leo is the sign of the King and Queen and ruled by the Sun, an ancient symbol of the Center.  The Lion’s gift to all of us is this search for individuation, for the ability to express who we are fully, with joy, pride and dignity.  The path of individuation leads inward to those feminine aspects of life which help us achieve transformation and inner freedom.  The truth is that outer freedom is an illusion unless you first achieve inner freedom.   

Both Leo and the Sun are apt symbols for our powers of self-awareness and generative creativity.  If we are in any way like the gods, it is because we are also creative. The Sun’s light is an ancient image of spiritual enlightenment, taking this exuberant energy even deeper.  So you see, Leo isn’t only about fun, applause and power.  Leo’s fixed nature can take the fire of creativity/destruction and ground and center it, stabilizing and sustaining the fire for the benefit of life.  

When women claimed our freedom in the 60s, we claimed it with our bodies as well as our minds and hearts.  Many of us threw off the shackles of patriarchal expectations and went exploring, and others met those expectations by entering the work world or staying home with their children.  But all of us were Father’s Daughters, women committed to the masculine ideals of patriarchy/capitalism.  Education in hand, we thought we were quite capable of handling life.  Well, life more often handled us, but though we were often disillusioned and sometimes hurt, we learned from our experiences and built on that new knowledge.  Many of us left the Father’s House of patriarchal expectations and became conscious women.

For the most part, women have been denied Leo’s gift for millennia, subjugated to the rules of a society that devalued women and offered few opportunities for freedom of expression.  I love the cosmic synchronicity that it is the Pluto in Leo women – the Baby Boomers – who first experienced this freedom on a large scale.  

Women want to find out who we are as opposed to just living as who we’re told to be.  The Archetypal Feminine energy is abroad once more, the Goddess has returned and her daughters are transforming the world with their freedom.  

As we incarnate this renewed archetypal energy, we each exemplify an aspect of the New Queen.  Being a Queen is being a female leader; being a Queen is embodying the emotional rhythms of life.  I wrote about such a new queen in the Aries blog about the movie Whale Rider.  The movie speaks of the shift of leadership from masculine to feminine if we want renewal of life.

An ancient function of the queen and king was to serve as mediators between heaven and earth, man and woman, god and goddess.  They represented the gods to their people, and their people to the gods.  They were spiritually conscious people and they were leaders of their people.   Isn’t it time again for wise leaders?

In a democracy, we are all called to become queens and kings.  We’re supposed to contribute our creativity to the world.  That’s what makes us whole, personally and collectively.  It’s not enough to create for our own sakes; we want to share our creativity with the world.  We want to make a difference when Leo is strong in us.

But first women have to leave the Father’s House and move beyond the patriarchal rules in their souls.  I’m not talking about rebellion, although that’s often a first step.  Or being sexually free, which isn’t the same as sexually whole. Women need to take the best and brightest of what we’ve learned from our ‘fathers’ and leave all the rules behind and find our own rules, based on our values, understanding and love. The first step is to return to our bodies, not just with sexual freedom but with understanding and love.  We need to discover our own courage, strength, truth, beauty, love, imagination, intelligence, power and mystery.   Happily, we’ve been left stories and fairy tales to show us how to do this. 

Fairy tales seem to be the bare bones of the primal archetypes of life.  Stories passed down through the ages to help us get through the transitions in life.  One big transition that’s been brewing for centuries is this women’s journey from the Father’s House to freedom.  There is an old story that tells the tale of a princess who fled the father’s house and gained her freedom and deep wisdom through day-long toil and a strong dose of patience.  Freedom from oppression is never free!

The tale gives us clues to achieving our quest for a conscious feminine standpoint to base our purpose on.  The basic pattern is set.  How we fill it in is up to us.  The Grimm fairy tale is called Allerleirauh and the movie that fleshed out this archetypal pattern is Dirty Dancing.

Allerleirauh: The Wisdom of Nature

Real individuality calls for freedom of choice – we must have the freedom to listen within and choose our own course to become whole.   In the past century, women, for the most part, have found outer freedom, and still more recently, some have found inner freedom.  But first, because patriarchy gives higher value to the outer world than to the inner realms of feeling and intuition, women used our freedom to go into the outer world, expecting to find equality with men.  But what we found was that we had to act like men because our social structures are male-based and cared nothing about feminine gifts unless they served patriarchy’s purposes.   

When women realize that patriarchy still wants to own our creativity and energy, many of us decide to leave the father’s house and go out on our own.  It takes the bravery and determination, intelligence and passion of a father’s daughter.  A father’s daughter who is ready to grow up and become her own woman.  When women start to listen to our own wisdom, the world prospers.  Through the years since the 60s, women have worked long and hard to change the culture, and we’re beginning to see the effects of adding responsibility and compassion, imagination and intuition to our public life. 

The story of betrayal, flight, toil and transformation goes like this.

Once there was a king and queen who were deeply in love.  But the queen got sick and began to die.  Before she did, she forced the king to make a promise that he would only marry someone like her, with the same golden hair.  The only one who fit the bill was their daughter.  And so the king decided to marry her.  Think of it – all her fertility and life will belong to him.

Being a smart father’s daughter, the princess demands that her father make her three dresses: one that shines like the Sun, one like the Moon, and one like the Stars.  Then she demands that he make her a mantle of furs with a bit of fur from every animal in his kingdom.  She believes he will never accomplish the tasks and she will be free.

Unfortunately, the king has a lot of people working for him, and he gets the clothes made.  And makes his demands – they will marry!  So the princess does what any conscious woman would do – she leaves.  Or rather, she runs away to the forest, dressed in her mantle of furs, taking a few treasures and her dresses with her in a nutshell.

The forest is, as you know, a place of mystery.  All those shadows and hidden places.  All the life and silence.  Finally exhausted from running away, the princess falls asleep in a tree.  Safe at last.  Only she isn’t.  For now a new king comes, a hunter who also lives in the forest.  And he finds her, thinks her a beast and brings her home to work in his kitchen.

He’s certainly different from her father.  In fact, it seems she dreamed him up in that tree, don’t you think?  Anyway, she works hard for a long time in the king’s kitchen.   Then the hunter king decides to hold three balls.  

Dancing is a must in fairy tales of transformation.  We need to catch the rhythm, need to incarnate the energy, need to focus it on our goals. Dancing is the most ancient form of this kind of archetypal energy transfer.  Like the pounding contractions of birth, rhythm takes over our bodies and we are at one with our nature again.  The Feminine is Nature’s rhythms; the Masculine is choice of rhythm. That’s the choice of an individual destiny.  

So the princess, who is now called Allerleirauh – of many kinds of furs – appears at the balls each time in one of her cosmic dresses, appearing to the king clothed in the light of the sun, the moon and the stars.  She knows who she is, she knows what needs to be done and she knows why it needs to happen.  But she never would have understood if she hadn’t been living in her mantle of furs – in her body wisdom.  That’s the first thing we need to validate and understand if we want to be free.  We need to listen – to our bodies, to our hearts, to our minds and most especially to our spiritual imagination – to be free.

After each appearance, she leaves some nourishment for the king, something for him to ponder and feel and desire.   Until he desires her just as much as she desires him.  She has shaped a new King while she’s been working in the kitchen of transformation and nourishment.  A new masculine energy within herself that will begin to resonate with the man in her life and transform him.
                       
 After the third ball, the king, who’s been enchanted by Allerleirauh since the beginning, recognizes her and desires her Wisdom and Beauty, and gives her his love and allegiance.   
This New Queen becomes the man of her dreams – and probably finds her mate too. That’s the story we find behind the 1983 movie, Dirty Dancing.

Dirty Dancing: the Birth of the Conscious Woman



I just spent an evening with a multi-generational group of my women friends, re-watching Dirty Dancing for the umpteenth time. I don’t know a single woman who doesn’t love that movie.  Why? There have certainly been other movies about first love, a changing society and rebellion, just as there are lots of movies with hot dancing in them.  Why do women of all ages gather round to experience this story again and again?  And love it every time?

I believe it’s because Dirty Dancing is built around the archetypal story of Allerleirauh
 When a story is based in an archetypal process, we can’t help but be affected.  The energies call to us.  We are all father’s daughters, and our next step in consciousness is to leave the father behind and find our own emotional standpoint.  This girl/woman Baby is a perfect persona for our innocent, idealistic father’s daughter who wants to become the heroine of her own life. 

The movie begins with Baby saying she couldn’t imagine ever finding a man as good as her dad.  She is the archetypal father’s daughter, idealistic, accommodating and ready to make her mark in the world. It’s interesting that Baby doesn’t have one strong exchange with her mom during the whole movie.  For Baby, mom is dead.  It’s dad who nurtures her – the real sign of a father’s daughter.   Baby is just that – a baby - she goes along with whatever her father suggests, even when she feels uncomfortable.  She doesn’t really fit into the resort’s activities like her mother and sister do.  She has other interests.

Like the dancer, Johnny.  His sensuality grabs Baby’s attention.  He’s Baby’s hunter king of the forest.  She’s smart enough to know she’s interested and courageous enough to seek him out.  She pays attention and is the one who discovers that Penny is in trouble.  And then she does something about it.  She gets involved because of her idealistic beliefs and because of her interest in Johnny.  She leaves the father’s house when she helps Penny without telling her father.  She starts to wear her mantle of furs when she offers to take Penny’s place in the dance.

She learns to dance. Everything her father taught her gets enhanced once she brings her energy into her body in the dance.  She comes into herself and becomes a woman.  

After Baby tells Mr. Kellerman she was with Johnny the night the wallet was stolen, Baby’s father won’t talk with her.  So she goes to confront him in the best scene of the movie.  And the truth of the matter shines out.  He is the father who rejects the reality of his child. The father who would rather marry his own daughter than let her live her own life. 

Baby:  I’m sorry I lied to you, but you lied too.  You told me everyone was alike and deserved a fair break, but you meant everyone who was like you.  You told me you wanted me to change the world and make it better, but you meant by becoming a lawyer or economist and marrying someone from Harvard.  I’m not proud of myself… There are a lot of things about me that are not what you thought, but if you love me, you have to love all the things about me.  And I love you, and I’m sorry I let you down, Daddy.  But you let me down too.  

Baby arrives at Kellerman’s a baby in truth and leaves as a woman named Frances, standing in her own truth.  And the interesting thing we find out at the end of the story is that Baby’s mother claims that Baby gets her dancing ability from her!  While mom doesn’t seem to have an identity of her own, being another father’s daughter herself, she claims the Feminine power of dance and rhythm as her great gift to her daughter. 

The power of a good story comes from its connection to archetypal themes.  Dirty Dancing’s power lies in showing us the process of leaving the Father’s House and becoming a conscious woman.  That’s the gift that Leo offers all of us – the task of becoming conscious human beings.

Saturday, June 23, 2012

EMERGING ARCHETYPAL THEMES: ACROSS THE UNIVERSE: The 60s Are Back!





ACROSS THE UNIVERSE:
CANCER: AWAKENING OUR EMOTIONAL BODY
THE BEATLES, THE 60'S AND COSMIC CLOCKWORK



As we enter the astrological month of Cancer, we get to work with the archetypal energy of Mother and the birth of our emotional bodies, the ability to integrate our soul’s purpose into consciousness.  Cancer teaches us the value of emotional intelligence, creativity and nurturing, and works in us to help us feel secure in our own skin, because we are living our truth.  Cancer is a cardinal sign, coming at the turn of the seasons, and so it is action-oriented.  Cancer’s intuition picks up the surrounding ‘vibs’ and steps in to make things ‘better’.   Or that’s the intention.
  

The archetypal Great Mother gives birth to the Universe as well as to each one of us, and how we relate to the Great Mom tells us something about how we feel about ourselves.  The good Mother is one who loves us for who we are; the negative Mother rejects who we are. 

While we each have our own moms to contend with, we also come out of a cultural matrix (mother, womb).  And everyone born in the 1940s up to the present day has the same cultural matrix - the 60s!  Whether you were there or not, your emotional body has been shaped by your response to what happened in the 60s.  So no matter if you or your parents were hippies or yuppies or conservative Christians, the 60s are alive in you.   

For some, the 60s were a disruptive time when everything went to the dogs; for others, it is a continuing source of inspiration and hope.  It is obvious that the patriarchy is paired with the Negative Mother, sending out a negative message:  “Who among us is perfect enough that we no longer need the ‘fathers’ to guide us?”  The patriarchy is alive and well in our government institutions, busy trying to legislate how we can live and what we’re allowed to do.  But because the Great Mother returned to our consciousness in the 60s, especially when we saw ‘Earthrise’ from the Moon, the positive, loving Mother wants to let us know that She supports our growing up at last, encouraging us to take responsibility for our own lives and for each other.  She’s maturing our emotional bodies and turning us into adult human beings, all the while reminding us to stay young at heart and playful, creative and caring.

The Cosmic Story: The Return of the 60s: Let the Peaceful Revolution Begin

With the call for CHANGE getting louder and louder, is it any wonder we're all feeling the echoes to the 60's? 

I don't know about you, but I lived through the 60's and I just know they're back! It's a feeling, it's the similarities of social unrest – and it's something more cosmic. I know it because I know that a cycle that began in the mid-60s is coming up to a major crisis point in 2012 and the planets that create this cycle are now at 90* to each – a bending of energy that calls us to the Hero’s Journey to create change where it is needed. These energies stir up the pot – change is in the air. But what are we going to do about it? Because all the good energy in the world can go to waste unless We The People do something. 

There are many people who still question whether Astrology has any connection to this energy of change we're feeling. My astrologer friend Caroline Casey says, “Believe nothing. Entertain possibilities! Astrology is not a belief system; it is a [symbolic] language of the dynamic interplay between our interior life and the exterior world.” All we can do in the face of the immensity of life is to entertain possibilities. Why not imagine, for a moment, that these possibilities exist? That we are connected to our planet, to our solar system, to our galaxy, to each other. Scientists know that we are affected by the Solar cycle of sunspot activity as well as by the Moon's cycle.  If we really believe we are all made up of the same cosmic ‘stuff’ of creation, then it isn’t too far a stretch to entertain the possibility that we are influenced by each other, and by the planets.

Did you know that most of Western civilization's greatest philosophers and scientists were also astrologers? Check it out for yourselves.   I'm using information from an amazing, award-winning book called “Cosmos and Psyche: Intimations of a new World View” by Richard Tarnas, a professor of philosophy and depth psychology at the California Institute of Integral Studies in San Francisco. Tarnas spent 30 years researching astrology, (at first to debunk it!) and came away with the view that there is a direct connection between planetary movements and the archetypal patterns of human experience. He explores the planetary cycles and how they play out in human cultural events. 



In the 60s, two planets aligned in the heavens in the earth sign of Virgo – Pluto, the planet that represents the archetypal energy of death, re-birth and evolution, and Uranus, the archetypal energy of revolution, innovation and freedom. They were joined during the exact conjunction in 1966 by an opposition from the planet Saturn, representing the archetypal energy of form, authority, maturity, frustration, and constriction in Pisces, the sign of the collective unconscious.  There was a cosmic call for the old forms (Saturn) to dissolve (Pisces) so new life could emerge.  A headline from the 60s that God is Dead was a sign of this dissolution.  Of course, the old ways didn’t want to die, and they made an even bigger grab for power as this new possibility started to grow.

In 2010, these three planets aligned again, expect now in a three-sided 90 degree aspect to each other. The alignment is one of tension which propels us into action.  And you can see what has resulted: the patriarchy is taking its last stand as we the people all around the world finally wake up to our own responsibility for creating a better world.  It is not governments which create change, it is people.  

Tarnas states: “I was encouraged to examine the possible existence of historical correlations with planetary cycles when I encountered a number of highly suggestive patterns in which certain cyclical alignments between the outer planets (Jupiter, Saturn, Uranus, Neptune and Pluto) coincided with major historical events and cultural trends of a distinctive character, as if the specific archetypes associated with those planets were emerging on the collective level in periodic cycles.” (pg. 141, C&P) 

Because of the great distance of both Pluto and Uranus from the Sun and the Earth, their cycle is one of the longest between two planets, lasting anywhere from 113 to 142 years (because of Pluto's erratic orbit). When Tarnas went back to study what happened during proceeding conjunctions and oppositions of these two planets, he found that each time there were similarities of cultural expression – back to the times of Spartacus in ancient Rome! 

What Tarnas found was that the archetypal principles related to these two planets found full expression in the 60s. The planet Uranus correlates to Promethean characteristics: “emancipatory, rebellious, progressive and innovative, awakening, disruptive and destabilizing, unpredictable, serving to catalyze new beginnings and sudden unexpected change.” The planet Pluto is associated with Dionysian characteristics: “elemental, instinctual, powerfully compelling, extreme in its intensity, arising from the depths, both libidinal and destructive, overwhelming and transformative, ever-evolving... possessing a prodigious, titanic dimension, empowering, intensifying and compelling in whatever it touches on a massive scale.”(pg.142, C&P) 

Each time these two planetary energies synergistically merge, they produce “widespread radical social and political change and often destructive upheaval, massive empowerment of revolutionary and rebellious impulses, and intensified artistic and intellectual creativity. Other distinctive themes of these historical periods included unusually rapid technological advance, an underlying spirit of restless experiment, drive for innovation, urge for freedom in many realms, revolt against oppression, embrace of radical political philosophies and intensified collective will to bring forth a new world. “ (pg. 144, C&P)

Not only were these planets in a conjunction alignment during the 1960s, they were also in conjunction from 1845-1856, when there was a wave of revolutionary upheavals across Europe, China, Japan, India and the Ottoman Empire. When these two planets were in the opposition alignment from 1896 to 1907, many social and political movements were born – progressive labor movements, the Women's movement, the black civil rights movement and the beginnings of socialism. Before that, another opposition took place during the decade of the French Revolution, 1787 to 1798. The word “revolution' came into “wide use in the 1790s in its present meaning of sudden radical change of an overwhelming nature, bringing into being a fundamentally new condition.” (Pg 144, C&P). 



The revolutionary impulse during the 60s and the French Revolution wasn't confined to politics, but occurred in every aspect of cultural life: “in the music heard, the books read, the ideas discussed, the ideals embraced, the images produced, the evolution of language and fashion, the radical changes in social and sexual mores. It was visible in the incessant challenge to established beliefs and widespread embrace of new perspectives, the movements for radical theological and church reform and anti-religious revolt, the drive towards innovation and experiment that affected all the arts, the sudden empowerment of the young, the pivotal role of university communities in the rapid cultural shift. And it was evident above all in the prodigious energy and activism of both eras, the general impulse towards extremes and 'radicalization' in so many areas, the suddenly intensified will to construct a new world.” (P. 145, C&P) 

The revolution of the 60s was not a unique cultural event that will never be repeated, although for Baby Boomers, it was an utterly unique experience.  But it is being repeated now, on a higher level, if you will. We do have to continue the revolution.  But we can't get upset that it got sidetracked.  The old always tries to pull us back into its clutches before we really break free.  That's what I love about astrology.  Not that it sets up a certain 'fate' but that it works through cycles, and that lets us know that there are certain energies to contend with within the cycle.  The moon cycle is the best metaphor for it.  In terms of the 60s and this particular conjunction of Pluto and Uranus, we've been in a new moon through crescent moon phase, which means that the energy was first an unconscious upwelling of new ideas and energy and then, when we catch sight of what we really need and want to do, we are pulled back by all our fears and our conditioning.  It's at the quarter moon phase that we finally go on the hero's journey and make the break from the past. 
 Pluto and Uranus have just come to their first square aspect on June 24th; it is like the quarter moon phase of the lunar cycle. A square is a challenge – a call to action. The real Hero's Journey.  This is when we have to step up and stand for those values that we all proclaim we loved in the 60s.   What will make this next stage of the 60s revolution even more challenging is that the planets will be in Cardinal signs – the signs that signify the Solstices and Equinoxes. So it will be a dynamic and energized time, and it is vitally important to get it right this time. We will have to change the way our culture does business, by reigning in corporate power. We will have to grow up and become responsible, both as individuals and as a nation so we can save our environment. We will have to treat the rest of the human race, and other nations, as our equals, and understand that we are all in this together.   We might even have to take to the streets again, like our friends, the French.   If we do, the cosmic energies will be with us. 

Are you ready?

The Archetypal Bards:  How Muscians & StoryTellers Change the World


We have to go back to explore the archetype of the Bard, because it is really the music of the 60s/70s that changed us and still keeps us within the matrix of the 60s.   We need to understand why our artists are so important to our lives and to these times of change. Archetypes are the patterns that shape our human consciousness. They are the images of the instincts that make us human. The archetype of the Bard acknowledges our collective need to understand ourselves through images, to give coherence to our lives through stories and song. And because of that need within humanity, some people resonate with this archetype and are called to become the storytellers of their tribes. 


Bards help shape their societies by singing about the shared values of the tribe, teaching the next generation about their duties, their capabilities, and their place in the world. Stories from the desert speak of the need to share everything, for otherwise no one survives in the harsh landscape. The stories of the Celts shaped their view of warriors as being sensitive, boastful, brave and honorable. Troubadours of the Middle Ages shaped their society through their songs of courtly love. Bards are the ones who remember, the poets, the news-givers, the truth-speakers, and the visionaries of their people who see the truths of their times and give their people a perspective on them.  

Unfortunately, archetypes can lose their power and then they become stereotypes.  That’s when bards become entertainers.  Entertainers keep us entertained.  Bards wake us up to possibilities.

All ancient peoples had someone who represented this archetype of the Bard, the storyteller, the singer of songs. In those societies, Bards were highly honored, and they had the power and the responsibility to influence their people's beliefs. In our modern culture, our singers and storytellers are still honored with money and fame, although not many are worthy of being called True Bards. Those who are in it for the money and fame are the ones we call entertainers. Because most entertainers don't take their responsibilities as Bards seriously, we sometimes forget that our artists really have this power to teach us about our world, for the power of the Bard resides in the Imagination. 

The 60s Matrix: Yellow Submarine

The Beatles were true Bards.  There’s no question about that!  Their music was one of the most important sound-tracks of the 60s, and their musical imagination helped shape our response to life.  Their music still shapes our imaginations and opens us to possibilities.  Imagine our life now without the Beatles’ influence.  Would we want to ‘give peace a chance’, believe ‘all you need is love’ or even ‘Imagine’?  


While their music shaped our lives, the stories they told showed us our journey.  From Hard Day’s Night to Help! we saw 4 guys from Liverpool dealing with modern life and celebrity with humour and charm, intelligence and feeling.  But it was Yellow Submarine that let us in on their secret.  We all discovered that we each had a yellow submarine inside us, and we all took a dive into the collective unconscious to explore that unknown realm in the hopes of re-animating the music of life.  

1968’s Yellow Submarine was not only a visual and musical eye-opener, it was a psychological masterpiece.  It’s hard to believe that most people in the 60s didn’t even know about the psyche within each of us, or that we could become aware of who we are by looking within.  Our western culture had lost touch with the inner world in its search for outer facts.  The big revelation of the 60s was that we had an inner aspect of our personalities that needed to be explored and understood.  The 60s were all about a collective awakening that gave us tools for self-awareness.  What was once the province of religious dogma became the individual need to take an inner journey of self-discovery.   The Pluto/Uranus conjunction took place in the sign of Virgo, the sign that propels us to self-knowledge.  It is the sign that tells us how to belong to ourselves.  And that’s really the message of Yellow Submarine:  it is up to each one of us to stop our inner blue meanies.

Back in the 60s, there was no Oprah or Dr. Phil to turn us onto new tools for self-awareness.  Our musicians did it.  Joni Mitchell, Carly Simon, Simon & Garfunkle, Bob Dylan, Leonard Cohen, the Beatles – to name a few.  They gave a shape to our new experience of freedom and self-awareness.    They helped us define ourselves as different from our parents.

Yellow Submarine did even more.  It gave us a whole story to understand the changes going on within our culture and within ourselves.


The story is mythic.  It begins in a paradise of affirmation and music, Pepperland.  Life is sweet.  People are content.  But then the Blue Meanies come along – the patriarchal bankers and politicians who take away our sense of community and possibility.  They turn everyone to stone, separating us from each other and from the music of life.  How many people today are taking anti-depressants?  Or are on heavy-duty drugs? Far too many.  The Beatles got that one right! 

Eleanor Rigby becomes the epitome of these frozen Pepperlanders.  “Eleanor Rigby picks up the rice in the church where a wedding has been, Lives in a dream. Waits at the window, wearing the face that she keeps in a jar by the door.  Who is it for? All the lonely people.  Where do they all come from? All the lonely people.  Where do they all belong?”

It’s Ringo, the lonely one, who ‘misses me mom’ and has ‘a hole in me pocket’, who can empathize with Fred, the captain of the Yellow Submarine, who is sent to find help for Pepperland.  Inner and outer meet and become aware that something is wrong.  Ringo brings Fred to the attention of the other Beatles, who are engaged in their own experiments in consciousness.  All those doorways leading . . .to worlds upon worlds.


When the Beatles go with Fred in the Yellow Submarine, they encounter parts of themselves, past, present and future.  And all the memories and monsters that inhabit our psyches.  And of course, that’s where they meet the NoWhere Man: the pure intellect which often only spouts gibberish.  But he’s lonely too, and compassionate Ringo brings him along to Pepperland.  This left-brain bore can help them, but only by mistake it seems.

Once back in Pepperland, Fred and the Beatles find the Blue Meanies have total control over the population.  And it’s only the Beatles and their music which can stop them.  When they awaken all the Pepperlanders from their collective blue meanie sleep, colour comes back into life and eventually, even His Blueness, the head Blue Meanie, is transformed by LOVE via our little nowhere man.  


ALL YOU NEED IS LOVE becomes the battle cry as the Beatles re-awaken the archetypal band, Sgt. Pepper’s Lonely Hearts Club Band.  A worthy anthem.  One we’ll need as we face the dying patriarchy in these next years of social unrest.  It echoes the June 5th, 2012 major Venus transit to the Sun.  This cosmic happening brought back an awareness of the Goddess’ love and signals that the Goddess has regained her voice!  So remember to speak with love in your hearts if you want to create change.  The Goddess is watching!

The last image in the movie is of a lotus growing and glowing with possibilities as the Beatles sing:  “When I look into your eyes, your love is there for me.  And the more I go inside, the more there is to see.  It's all too much for me to take.  The love that's shining all around you.  Everywhere, it's what you make.  For us to take, it's all too much.”
The Beatles got the message right.  We are losing our sense of beauty and community to the corporate story.  The Blue Meanies are once again attacking our way of life.  It is through fearlessly confronting these negative energies that destroy life – confronting them with Love – that we will win the day. 

Across the Universe: Going Back to theFuture

In the 40 years since the Yellow Submarine came out, our culture has become more psychologically astute.  We have the tools of consciousness at our disposal, but in becoming more self-aware, we seem to have lost the passion of youth and our ideals.  That’s where “Across the Universe” comes in.  It reminds us of what was happening during the 60s and how we really believed in the power of love to change the world.  We need that passion once again.



Julie Taymor's brilliant movie “Across the Universe” brought me right back to the 60's on a visceral level. This movie could have come right out of John Lennon's imagination: the movie could have been made by the Beatles – it has the feel of who they were and what they did together. So if John and George are listening from the Beyond, and to Paul and Ringo, I want to thank the Fab Four for giving us another chance to really hear their music and amazing lyrics, and re-visit their music's significance for all our lives during those wonderful, turbulent, tumultuous years.

Each of us can tell our own stories, but it takes someone bigger to shape and recreate our collective story. That's exactly what the Beatles did for us in the 60s.  As True Bards, their music still speaks to new generations.  Julie Taymor, the amazing director who created the Beatles rock opera “Across the Universe” is shaping up to be a True Bard as well. This movie re-awakens us to our collective story of change that we experienced in the 60's. It says our story is still with us. The question is what are we going to do about it?

If you haven't seen “Across the Universe”, run out and rent it right now. Besides its considerable high production values – the settings, the dances, the costumes - the feeling behind it makes it delightfully magical to watch!   It simply tells the story of the 60's as it unfolded within our psyches to the soundtrack of the Beatles' music. Their music shaped my consciousness as well as expressed what was going on inside me and everyone else I knew. And now my children and anyone else who loves the Beatles but weren't there for themselves can see how those times might have played out in our lives.

The story itself is simple and fun, yet complex and psychologically astute. If it was a novel, I'd say it was an historical fantasy. Part Beatle images and lyrics (one character says of another, “She crept in through the bathroom window.”); part semi-biographical (Sadie as a Janis Joplin character/Bono as a Ken Kesey/merry prankster character/a band (the Beatles?) playing music on a rooftop); part social commentary (draftees in formation carrying a Statue of Liberty on their shoulders are they trudge through the jungles of a miniature Vietnam singing “She's so heavy” from “I Want You”). Across the Universe” has it all. The raw emotions of the songs come out through the acting. It's a mesmerizing mix of social commentary and youthful longing, hope and love. 

Taymor's use of imagery is symbolically astute. The movie opens with images of wildly breaking ocean waves superimposed with images of social unrest, and then an image of a young woman – Lucy, our story’s love interest, but even more important, the awakened Feminine Spirit. Many people have dreams of tidal waves, and one of the symbolic meanings of these dreams is that the collective unconscious is stirring – all of our culture's repressed values and needs are rising up and overwhelming collective consciousness. And the beautiful young woman is an image of the New Feminine Spirit that is arising in the collective unconscious – a spirit that demands that we pay attention to the repressed feminine qualities of life – connection, compassion, intuition, feelings, nurturing, love and life. Taymor ends the movie with a heartfelt cry of “All You Need Is Love.” The rest of the story shows us how this is played out. 

The story itself is true to the 60s. An all-American teenager, Lucy (Evan Rachel Wood), leaves home to follow her older brother Max (Joe Anderson) to New York after her boyfriend dies in the Vietnam War. In Liverpool, Jude (Jim Sturgess) leaves his work in the shipyards and comes to New York and meets Max, and they all end up living at singer Sadie’s (Dana Fuchs) Greenwich Village apartment along with JoJo and Prudence. This youthful 'family' experiences the turbulence of the 60s together.  There’s naïve Lucy whose eyes are opened to the possibilities of life beyond her 50's, sheltered upbringing; adventurous Brit Jude who breaks away from his working-class roots to make it as an artist in New York; Lucy’s brother, Max, a college dropout who eventually gets drafted and sent to Vietnam; Sadie, a Janis Joplin-esque rock singer; her guitar-playing lover Jo-Jo, who comes from the riot-torn streets of Detroit; and a closet lesbian named Prudence. As these sympathetic characters go through the ups and downs of life in the 60's, we share their growing consciousness that the most important thing in life is LOVE. I left the movie feeling and knowing that this is still true.

2012 and Beyond

With this first of seven squares between evolutionary Pluto and revolutionary Uranus, we enter a new phase in the promised cultural transformation of the 60s.  The Cosmic Story assures us that change will come, although not without struggle and sacrifice.  The word sacrifice means to make sacred.  We are being called to a sacred task, because this next step in our human evolution has to be a conscious choice.  We have to choose to save our environment from further degradation.  We have to choose freedom and equality over an illusion of safety and comfort.   


We no longer have the luxury to sit back and wait for our governments and corporations to do the right thing. We have to do it for ourselves.  If corporations won’t change, we have to withdraw our support – i.e., money.  We do have power – they have given it to us because they need us to buy their poisonous products.  We need to learn other ways of taking care of our needs.  We have to stop being conspicuous consumers.  We did it in the 60s and we can do it again.

The Uranian/Promethean wake-up call is ringing in our minds, hearts and souls as we've witnessed the Plutonian revelations of truth about our government, our religious beliefs, our financial institutions and our technological advances.  Uranus in the sign of Aries calls us to our authentic Self.  Pluto in Capricorn asks us to demolish the patriarchal strictures and rules which govern our behavior.  Most of us will never be thin enough, beautiful enough or rich enough to be considered one of the elite of patriarchy.  So why not turn our backs on a system that will never really include us, except as humble worker-bees.  

 The next six squares of Pluto and Uranus will carry us far into the changes we seek.  We just have to open our imaginations and see what new life wants to be born as our old culture disintegrates.   Hopefully, our artists and bards will sing us the songs of hope and possibilities that await us on the far side of our challenge.  Pluto will be in the sign of Capricorn until 2024.  It is not going to be a quick or easy transformation, but with a strong vision and a compassionate heart, we can each play our part in birthing a new world.

The Beatles saw what needed to happen.  And so did Julie Taymor.  Go watch these movies and feel the spirit of the 60s come alive within you.  You’ll be glad you did!

It's time we got this Peaceful Revolution under way.

Blessings from The Bard's Grove,
Cathy Pagano